The Chilean newspaper Diario Angamos highlights an article on artist Fabián Caro Román. Alejandro Canseco-Jerez B, critic and emeritus professor at the University of Lorraine, France, affirmes that one of the most relevant features of Fabián Caro Román’s work is the poetic reverie framed in a geometric rigor from where anatomies and robotic-inspired morphologies flash and are humanized in suggestive postures: “And so, by means of this plastic transgression, he manipulates shapes and figures, assigning them a “sureness” entangled in metaphysical scenarios ”, concludes the critic.