SÃO RAFAEL GALLERIES: Sílvia Raposo

TERRACE IN ALENTEJO (AI assisted painting) – Set of 6 artworks

170

€

ABOUT SILK IN THE JAGUAR’S ROAR SERIES

A deep, amorous, ferocious, voluptuous dive into the heart of the jaguar. Brief, reserved, mysterious, select, naked. This is jaguar’s roar! An autobiographical AI painting series, in which the author portrays scenes from her adult and young life using artificial intelligence as a way of questioning micropolitics associated with visuality and the hybridity between arts and technology. Silk in the Jaguar’s Roar is a faithful and sharp portrait of the artist’s life.

THE FINAL COUNTDOWN (AI assisted painting) – Set of 6 artworks

170

€

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ABOUT SILK IN THE JAGUAR’S ROAR SERIES

A deep, amorous, ferocious, voluptuous dive into the heart of the jaguar. Brief, reserved, mysterious, select, naked. This is jaguar’s roar! An autobiographical AI painting series, in which the author portrays scenes from her adult and young life using artificial intelligence as a way of questioning micropolitics associated with visuality and the hybridity between arts and technology. Silk in the Jaguar’s Roar is a faithful and sharp portrait of the artist’s life.

PUBLIC WASHING ROOM SECRETS (AI assisted painting) – Set of 6 artworks

170

€

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ABOUT SILK IN THE JAGUAR’S ROAR SERIES

A deep, amorous, ferocious, voluptuous dive into the heart of the jaguar. Brief, reserved, mysterious, select, naked. This is jaguar’s roar! An autobiographical AI painting series, in which the author portrays scenes from her adult and young life using artificial intelligence as a way of questioning micropolitics associated with visuality and the hybridity between arts and technology. Silk in the Jaguar’s Roar is a faithful and sharp portrait of the artist’s life.

DREAM OF A SUMMER MORNING (AI assisted painting) – Set of 6 artworks

170

€

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ABOUT SILK IN THE JAGUAR’S ROAR SERIES

A deep, amorous, ferocious, voluptuous dive into the heart of the jaguar. Brief, reserved, mysterious, select, naked. This is jaguar’s roar! An autobiographical AI painting series, in which the author portrays scenes from her adult and young life using artificial intelligence as a way of questioning micropolitics associated with visuality and the hybridity between arts and technology. Silk in the Jaguar’s Roar is a faithful and sharp portrait of the artist’s life.

A FAT WORLD FOR SKINNY PEOPLE (Digital Collage)

50

€

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ABOUT THE VISUAL MICROPOLITICS SERIES

In the visual micropolitics series, I work on hybridism through a Frankenstein aesthetic, that is, an art of grafting and miscegenation, of overlaps or intersections between different cultures and artistic aesthetics, looking for new forms of visual and micropolitical sovereignty. Through an anthropophagist dialogue with the images of consumer society, the series seeks to evoke ghostly materials. The works “A Long Walk To Freedom”, “A Fat World” or “Make Love, Not War” stand out, whose themes range from criticism of child labor in Africa, Asia and Latin America by companies such as H&M, Nestlé , Zara, among others; Discrimination due to skin color or sexual orientation, disguised as “peace crimes” that promote institutional violence; Or the criticism of the Humanitarian Government and the apocalyptic chess game of the superpowers. The works seek to narrate a story seen from the bottom up, evoking the ghosts of humanity to act as contemporaries of the present, causing imbalances. The presence of images is a scar in the blank space, through which we can slip and stumble, proposing an encounter with the historicity of the image and reaffirming the contemporary artist as an image hunter-gatherer and, above all, as an urgent artivist. (Sílvia Raposo)

WASABI IT’S AN ATTITUDE! (Digital Collage)

50

€

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ABOUT THE VISUAL MICROPOLITICS SERIES

In the visual micropolitics series, I work on hybridism through a Frankenstein aesthetic, that is, an art of grafting and miscegenation, of overlaps or intersections between different cultures and artistic aesthetics, looking for new forms of visual and micropolitical sovereignty. Through an anthropophagist dialogue with the images of consumer society, the series seeks to evoke ghostly materials. The works “A Long Walk To Freedom”, “A Fat World” or “Make Love, Not War” stand out, whose themes range from criticism of child labor in Africa, Asia and Latin America by companies such as H&M, Nestlé , Zara, among others; Discrimination due to skin color or sexual orientation, disguised as “peace crimes” that promote institutional violence; Or the criticism of the Humanitarian Government and the apocalyptic chess game of the superpowers. The works seek to narrate a story seen from the bottom up, evoking the ghosts of humanity to act as contemporaries of the present, causing imbalances. The presence of images is a scar in the blank space, through which we can slip and stumble, proposing an encounter with the historicity of the image and reaffirming the contemporary artist as an image hunter-gatherer and, above all, as an urgent artivist. (Sílvia Raposo)

HUMAN VALUES ARE NOT PROFITABLE! (Digital Collage)

50

€

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ABOUT THE VISUAL MICROPOLITICS SERIES

In the visual micropolitics series, I work on hybridism through a Frankenstein aesthetic, that is, an art of grafting and miscegenation, of overlaps or intersections between different cultures and artistic aesthetics, looking for new forms of visual and micropolitical sovereignty. Through an anthropophagist dialogue with the images of consumer society, the series seeks to evoke ghostly materials. The works “A Long Walk To Freedom”, “A Fat World” or “Make Love, Not War” stand out, whose themes range from criticism of child labor in Africa, Asia and Latin America by companies such as H&M, Nestlé , Zara, among others; Discrimination due to skin color or sexual orientation, disguised as “peace crimes” that promote institutional violence; Or the criticism of the Humanitarian Government and the apocalyptic chess game of the superpowers. The works seek to narrate a story seen from the bottom up, evoking the ghosts of humanity to act as contemporaries of the present, causing imbalances. The presence of images is a scar in the blank space, through which we can slip and stumble, proposing an encounter with the historicity of the image and reaffirming the contemporary artist as an image hunter-gatherer and, above all, as an urgent artivist. (Sílvia Raposo)

MIND CONTROL (Digital Collage)

50

€

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ABOUT THE VISUAL MICROPOLITICS SERIES

In the visual micropolitics series, I work on hybridism through a Frankenstein aesthetic, that is, an art of grafting and miscegenation, of overlaps or intersections between different cultures and artistic aesthetics, looking for new forms of visual and micropolitical sovereignty. Through an anthropophagist dialogue with the images of consumer society, the series seeks to evoke ghostly materials. The works “A Long Walk To Freedom”, “A Fat World” or “Make Love, Not War” stand out, whose themes range from criticism of child labor in Africa, Asia and Latin America by companies such as H&M, Nestlé , Zara, among others; Discrimination due to skin color or sexual orientation, disguised as “peace crimes” that promote institutional violence; Or the criticism of the Humanitarian Government and the apocalyptic chess game of the superpowers. The works seek to narrate a story seen from the bottom up, evoking the ghosts of humanity to act as contemporaries of the present, causing imbalances. The presence of images is a scar in the blank space, through which we can slip and stumble, proposing an encounter with the historicity of the image and reaffirming the contemporary artist as an image hunter-gatherer and, above all, as an urgent artivist. (Sílvia Raposo)

DIFFERENCE ONLY EXISTS IN YOUR EYES (Digital Collage)

50

€

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ABOUT THE VISUAL MICROPOLITICS SERIES

In the visual micropolitics series, I work on hybridism through a Frankenstein aesthetic, that is, an art of grafting and miscegenation, of overlaps or intersections between different cultures and artistic aesthetics, looking for new forms of visual and micropolitical sovereignty. Through an anthropophagist dialogue with the images of consumer society, the series seeks to evoke ghostly materials. The works “A Long Walk To Freedom”, “A Fat World” or “Make Love, Not War” stand out, whose themes range from criticism of child labor in Africa, Asia and Latin America by companies such as H&M, Nestlé , Zara, among others; Discrimination due to skin color or sexual orientation, disguised as “peace crimes” that promote institutional violence; Or the criticism of the Humanitarian Government and the apocalyptic chess game of the superpowers. The works seek to narrate a story seen from the bottom up, evoking the ghosts of humanity to act as contemporaries of the present, causing imbalances. The presence of images is a scar in the blank space, through which we can slip and stumble, proposing an encounter with the historicity of the image and reaffirming the contemporary artist as an image hunter-gatherer and, above all, as an urgent artivist. (Sílvia Raposo)

MAKE LOVE, NOT WAR (Digital Collage)

50

€

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ABOUT THE VISUAL MICROPOLITICS SERIES

In the visual micropolitics series, I work on hybridism through a Frankenstein aesthetic, that is, an art of grafting and miscegenation, of overlaps or intersections between different cultures and artistic aesthetics, looking for new forms of visual and micropolitical sovereignty. Through an anthropophagist dialogue with the images of consumer society, the series seeks to evoke ghostly materials. The works “A Long Walk To Freedom”, “A Fat World” or “Make Love, Not War” stand out, whose themes range from criticism of child labor in Africa, Asia and Latin America by companies such as H&M, Nestlé , Zara, among others; Discrimination due to skin color or sexual orientation, disguised as “peace crimes” that promote institutional violence; Or the criticism of the Humanitarian Government and the apocalyptic chess game of the superpowers. The works seek to narrate a story seen from the bottom up, evoking the ghosts of humanity to act as contemporaries of the present, causing imbalances. The presence of images is a scar in the blank space, through which we can slip and stumble, proposing an encounter with the historicity of the image and reaffirming the contemporary artist as an image hunter-gatherer and, above all, as an urgent artivist. (Sílvia Raposo)

TU ESTÁS LIVRE E EU ESTOU LIVRE (Digital Collage)

50

€

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ABOUT THE VISUAL MICROPOLITICS SERIES

In the visual micropolitics series, I work on hybridism through a Frankenstein aesthetic, that is, an art of grafting and miscegenation, of overlaps or intersections between different cultures and artistic aesthetics, looking for new forms of visual and micropolitical sovereignty. Through an anthropophagist dialogue with the images of consumer society, the series seeks to evoke ghostly materials. The works “A Long Walk To Freedom”, “A Fat World” or “Make Love, Not War” stand out, whose themes range from criticism of child labor in Africa, Asia and Latin America by companies such as H&M, Nestlé , Zara, among others; Discrimination due to skin color or sexual orientation, disguised as “peace crimes” that promote institutional violence; Or the criticism of the Humanitarian Government and the apocalyptic chess game of the superpowers. The works seek to narrate a story seen from the bottom up, evoking the ghosts of humanity to act as contemporaries of the present, causing imbalances. The presence of images is a scar in the blank space, through which we can slip and stumble, proposing an encounter with the historicity of the image and reaffirming the contemporary artist as an image hunter-gatherer and, above all, as an urgent artivist. (Sílvia Raposo)

A LONG WALK TO FREEDOM (Digital Collage)

50

€

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ABOUT THE VISUAL MICROPOLITICS SERIES

In the visual micropolitics series, I work on hybridism through a Frankenstein aesthetic, that is, an art of grafting and miscegenation, of overlaps or intersections between different cultures and artistic aesthetics, looking for new forms of visual and micropolitical sovereignty. Through an anthropophagist dialogue with the images of consumer society, the series seeks to evoke ghostly materials. The works “A Long Walk To Freedom”, “A Fat World” or “Make Love, Not War” stand out, whose themes range from criticism of child labor in Africa, Asia and Latin America by companies such as H&M, Nestlé , Zara, among others; Discrimination due to skin color or sexual orientation, disguised as “peace crimes” that promote institutional violence; Or the criticism of the Humanitarian Government and the apocalyptic chess game of the superpowers. The works seek to narrate a story seen from the bottom up, evoking the ghosts of humanity to act as contemporaries of the present, causing imbalances. The presence of images is a scar in the blank space, through which we can slip and stumble, proposing an encounter with the historicity of the image and reaffirming the contemporary artist as an image hunter-gatherer and, above all, as an urgent artivist. (Sílvia Raposo)

SHOW THEM YOUR SOUL. (Digital Collage)

50

€

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ABOUT THE VISUAL MICROPOLITICS SERIES

In the visual micropolitics series, I work on hybridism through a Frankenstein aesthetic, that is, an art of grafting and miscegenation, of overlaps or intersections between different cultures and artistic aesthetics, looking for new forms of visual and micropolitical sovereignty. Through an anthropophagist dialogue with the images of consumer society, the series seeks to evoke ghostly materials. The works “A Long Walk To Freedom”, “A Fat World” or “Make Love, Not War” stand out, whose themes range from criticism of child labor in Africa, Asia and Latin America by companies such as H&M, Nestlé , Zara, among others; Discrimination due to skin color or sexual orientation, disguised as “peace crimes” that promote institutional violence; Or the criticism of the Humanitarian Government and the apocalyptic chess game of the superpowers. The works seek to narrate a story seen from the bottom up, evoking the ghosts of humanity to act as contemporaries of the present, causing imbalances. The presence of images is a scar in the blank space, through which we can slip and stumble, proposing an encounter with the historicity of the image and reaffirming the contemporary artist as an image hunter-gatherer and, above all, as an urgent artivist. (Sílvia Raposo)

BE YOUR OWN HERO! (Digital Collage)

50

€

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ABOUT THE VISUAL MICROPOLITICS SERIES

In the visual micropolitics series, I work on hybridism through a Frankenstein aesthetic, that is, an art of grafting and miscegenation, of overlaps or intersections between different cultures and artistic aesthetics, looking for new forms of visual and micropolitical sovereignty. Through an anthropophagist dialogue with the images of consumer society, the series seeks to evoke ghostly materials. The works “A Long Walk To Freedom”, “A Fat World” or “Make Love, Not War” stand out, whose themes range from criticism of child labor in Africa, Asia and Latin America by companies such as H&M, Nestlé , Zara, among others; Discrimination due to skin color or sexual orientation, disguised as “peace crimes” that promote institutional violence; Or the criticism of the Humanitarian Government and the apocalyptic chess game of the superpowers. The works seek to narrate a story seen from the bottom up, evoking the ghosts of humanity to act as contemporaries of the present, causing imbalances. The presence of images is a scar in the blank space, through which we can slip and stumble, proposing an encounter with the historicity of the image and reaffirming the contemporary artist as an image hunter-gatherer and, above all, as an urgent artivist. (Sílvia Raposo)

GIVE THEM A SUPERHEROINE! (Digital Collage)

50

€

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ABOUT THE VISUAL MICROPOLITICS SERIES

In the visual micropolitics series, I work on hybridism through a Frankenstein aesthetic, that is, an art of grafting and miscegenation, of overlaps or intersections between different cultures and artistic aesthetics, looking for new forms of visual and micropolitical sovereignty. Through an anthropophagist dialogue with the images of consumer society, the series seeks to evoke ghostly materials. The works “A Long Walk To Freedom”, “A Fat World” or “Make Love, Not War” stand out, whose themes range from criticism of child labor in Africa, Asia and Latin America by companies such as H&M, Nestlé , Zara, among others; Discrimination due to skin color or sexual orientation, disguised as “peace crimes” that promote institutional violence; Or the criticism of the Humanitarian Government and the apocalyptic chess game of the superpowers. The works seek to narrate a story seen from the bottom up, evoking the ghosts of humanity to act as contemporaries of the present, causing imbalances. The presence of images is a scar in the blank space, through which we can slip and stumble, proposing an encounter with the historicity of the image and reaffirming the contemporary artist as an image hunter-gatherer and, above all, as an urgent artivist. (Sílvia Raposo)